Revirend

reverse-layer sound design

Make A Make B

Editing: A · Original — applies on every tab below

Position Volume & Fades Panning / Stereo Ducking LFO Stretch

Position / Intersection where B starts vs A

B start offset0%

Crossfade width20%

Offset is a % of original length. Negative = B starts before A. Crossfade blends the overlap region.

Volume & Fades editing A

Volume100%

Fade in5%

Fade out5%

EQ fade sweep60%

Fade length is % of that file's own length. EQ sweep filters low-pass during fades. Use the A/B switch above to edit the other file — all live, no re-render needed.

Panning / Stereo editing A

Pan mode

PanL20

Bass to mono

Enable 150Hz

Frequency Ducking draw duck amount per band

Draw Blue (A ducks B) Draw Red (B ducks A) Clear both

Response speed 35%

Blue = original ducks the duplicate; Red = duplicate ducks the original. Height = how much of the gain-matching duck is applied at that frequency (0–100%). Only ducks enough to equalize levels at that band — never more. Applied on Render only (too heavy for real-time).

LFO Balance / Width

Rate4 cyc

Shape

Balance depth40%

Width depth40%

Rate = number of full cycles across the whole timeline. Balance crossfades A↔B; Width scales stereo width. Shown as a gray trace over the waveform.

Mirrored Time Stretch

Engine

Apply to

Amount1.00x

Edge emphasis0

Amount is the overall stretch factor (>1 = slower/longer). Edge emphasis biases more stretch toward the start+end (positive) or the middle (negative) — start and end are always mirrored identically. Applied on Render only.

Position / Intersection where B starts vs A🎲

Volume & Fades editing A🎲

Panning / Stereo editing A🎲

Frequency Ducking draw duck amount per band🎲